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Write a Super Sentence Evan-Moor Corp? Jo E. Moore? Evan-MoorCorp? JoE.Moore? Substores-UnknownASINs-35 Subjects-Children sBooks-Reference&Nonfiction-LanguageArts-Composition&CreativeWriting? Subjects-Reference-Writing-General? How to Live Without Electricity -- And Like It Breakout Productions? Anita Evangelista? BreakoutProductions? AnitaEvangelista? Substores-UnknownASINs-35 Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Reference-General? Subjects-Science-Physics-Applied? Always Authorhouse? Dedra Stone? Authorhouse? DedraStone? Substores-UnknownASINs-35 Subjects-Romance-Contemporary-General? Subjects-Romance-General? A Long and Lonely Ride Breakwater Books Ltd? Helen Fogwell Porter? BreakwaterBooksLtd? HelenFogwellPorter? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General-Contemporary? Laws of the Kingdom Lane Center Pub Co? Frances Bird? LaneCenterPubCo? FrancesBird? 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Subjects-Science-Medicine-Specialties-Surgery? A Textual Commentary on the Armenian Version of IV Ezre (Septuagint and Cognate Studies Series) Scholars Pr? Michael E. Stone? ScholarsPr? MichaelE.Stone? Substores-UnknownASINs-35 Subjects-Religion&Spirituality-Bible&OtherSacredTexts-Apocrypha? Subjects-Religion&Spirituality-Christianity-Bibles-General? Principles of Knowledge Representation and Reasoning Proceedings of the Fourth International Conference (Kr'94) Morgan Kaufmann Pub? Jon Doyle? Erik Sandewall? Pietr0 Torasso? MorganKaufmannPub? JonDoyle? ErikSandewall? Pietr0Torasso? Substores-UnknownASINs-35 Subjects-Computers&Internet-General? Subjects-Science-General The Charley-Man A History of Wooden Shipbuilding at Quebec 1763-1893 Quarry Pr? Eileen Reed Marcil? QuarryPr? EileenReedMarcil? Substores-UnknownASINs-35 Subjects-Business&Investing-Industries&Professions-General? Subjects-History-World-Transportation-Ships-General? Subjects-Nonfiction-Transportation-Ships-History? 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【登録タグ W あやぽんず＊ あよ メイガスナイト 曲 東方歌ってみた 森羅万象】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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} /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
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【登録タグ K Swing of the Dead TOHO JAZZY VOCAL I みぃ 上海紅茶館 ～ Chinese Tea 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
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The story below is originally published on Mainichi Daily News by Mainichi Shinbun (http //mdn.mainichi.jp). They admitted inventing its kinky features, or rather deliberately mistranslating them from the original gossip magazine. In fact, this is far from the general Japanese behavior or sense of worth. このページは、毎日新聞事件の検証のための配信記事対訳ページです。直接ジャンプして来られた方は、必ずFAQをお読みください。 ※ この和訳はあくまでもボランティアの方々による一例であり、翻訳の正確さについては各自判断してください。もし誤訳（の疑い）を発見した場合には、直接ページを編集して訂正するか翻訳者連絡掲示板に報告してください。 Professor splits hairs over pubic profiles教授、プロファイルのため陰毛を根掘り葉掘りする 参考資料 拡散状況 関連ページ Professor splits hairs over pubic profiles 教授、プロファイルのため陰毛を根掘り葉掘りする 元記事（削除済み)：http //mdn.mainichi.jp/culture/waiwai/news/20040824p2g00m0dm999000c 0 Professor splits hairs over pubic profiles 2004,8,24 Asahi Geino 8/26 教授、プロファイルのため陰毛を根掘り葉掘りする 2004,8,24 アサヒ芸能 8/26 1 "Women s pubic hair is normally shaped like an inverted triangle, but some is oblong or elliptic-shaped," pubic hair researcher Kosai Jumon tells Asahi Geino (8/26), adding that the shape of a woman s "underhair" often determines her sexual proclivities. 「女性の陰毛は通常逆三角形型をしていますが、長方形のものや楕円型のものもあります」と、陰毛研究家・樹門幸宰はアサヒ芸能(8/26)に語り、女性の「下の毛」の形はしばしばその女性の性的嗜好を決定づけると付け加える。 2 "It s not rare for women with elongated pubic hair to be the types who fall in love at first site and soon become passionate. They re not the types who re happy shut up in the home. They may cause those around them to worry about them a little. But that devilish side to them is what makes them so attractive to men." 「長い陰毛の女性が、一目惚れしてすぐに情熱的になるタイプであることは、珍しいことではありません。彼女たちは家の中に閉じ込められて幸せでいるタイプではありません。周囲の人達をちょっと心配させることを、彼女たちはすることもあります。しかし彼女たちのその悪魔的側面こそが、彼女たちを男にとって魅力的にするものなのです。 3 Jumon s recently released book "Tamashi Yura Ageman (Rising Fortunes of the Soul)" categorizes women s pubic hair into five types, each of which purportedly determines its owner s fortune. 最近発売された樹門の本「タマシイ ユラ アゲマン(魂の幸運さを上昇させる)」(*1)女性の陰毛を5種類に分類していて、それぞれの種類がそれを生やしている女性の運命を定めるらしい。 4 Viewing crotch coverings is supposed to determine whether a woman will make a good wife who makes her man happy or a virago who makes her husband s life hell on earth. 足の付根を覆うものを見ることで、その女性が夫を幸せにする良き妻となるか、あるいは夫の人生を生き地獄にするガミガミ女となるかどうかが、わかるのだそうだ。 5 Jumon says that the frisky types with elongated pubic hairstyles are not the only types of mound mustaches that require some consideration. Those with mountain delta type minge, where the pattern of the mop resembles the mouth of a river, are said to be hyper-infidels. 長い陰毛を持つ奔放なタイプだけが、検討を必要とする陰唇のまわりのボウボウのオケケではない、と樹門はいう。 山のようなデルタタイプ――その毛の生え方は河口に似ている――の女性器を持った人たちは、あまりにも不道徳だそうだ。 6 Jumon says that most Oriental women s pubic hair is shaped in what he calls the standard-type, which is an inverted triangle. 東洋の女性の陰毛はほとんど、彼が呼ぶところの標準型、すなわち逆三角形型である。 7 "It shows endurance and indicates suitability for married life. They have everything they need for enduring such home-like activities as childbirth, child-raising and caring for their husband or parents," Jumon tells Asahi Geino. "I don t think it s saying too much to say that it is these standard-type women who helped raise Japan to glory." 「これは忍耐を示し、結婚生活に向いていることの指標となっています。たとえば出産や育児、夫や義母・義父の世話などの、家庭的な行動に対する忍耐に必要なものを、彼女たちはすべて持っています」と樹門はアサヒ芸能に語る。 日本を復興させて栄光を与えるのに役立ったのは、これら標準タイプの女性たちだと言っても過言ではない、と私は思います」 8 Jumon, 70, says that years of experience with a variety of women alerted him to the finding that sexual prowess differed according to their pubic hairdo. 70歳の樹門は、様々な女性との数年間の経験によって、性的能力は陰毛の形によって異なることに彼は警戒するようになった、という。 9 "Studying intensively while I was young and building up experience led me to refer to the pubic hair area as The Zone, and I gradually learned everything about it," he says. 若かった頃熱心に学んだことと経験を積み重ねたことで、私は陰毛が生えている部分を『ゾーン』と呼ぶようになり、私はそれについてあらゆることを次第に学んできました」と彼は言う。 10 Jumon divides The Zone into five sub-zones endurance, attachment, action, emotion and receptivity -- the shape of each determines a woman s sexual persona. Jumon claims the average Japanese woman s pubic hair is a standard-type, inverted triangle shape where the base extends for 9 centimeters and it runs the same length from top to bottom, with the mean length of hairs being 7.5 centimeters. 樹門は「ゾーン」を、さらなる5つの小さなゾーン、忍耐ゾーン・愛執ゾーン・行動ゾーン・情緒ゾーン・歓待ゾーンに分割した。それぞれの形によって女性の性的イメージが規定されるのだ。 樹門は主張する。平均的な日本人女性の陰毛は標準型、逆三角形の形状で、毛根は9センチの長さにおよび上から下まで同じ長さだけ生えていて、そのためヘアの長さは7.5センチメートルということになるのだそうだ。 11 "A perfect wife has a clearly defined endurance sub-zone and slight traits of a receptivity sub-zone. Put simply, this means she doesn t care a great deal about things like ethics or morals. A woman with pubic hair like this would be able to bear a lot, but also have a sexual side that allowed for unbridled wantonness," the pubic hair expert tells Asahi Geino. "In short, hair like this would indicate a good wife during the day who turns into a whore a night." August 24, 2004 「完璧な妻は、くっきりと明確な忍耐ゾーンと、歓待ゾーンの特徴をほんの少し、持っています。つまりこのことは、その女性が倫理や品行方正さに重きを置かないことを意味します。このような陰毛を持った女性はいろいろなことを我慢できますが、奔放な浮気をゆるす性的側面もあります」と、この陰毛専門家はアサヒ芸能に語る。 「要するに、このような毛は、昼は良妻だが夜は娼婦に変わるということを示唆しています」 2004年8月24日 参考資料 樹門幸宰 http //www.e-tamayura.com/ 拡散状況 Blogger：その他 部分転載：http //nudistguide.blogspot.com/2008/10/womens-pubic-hair-determines.html http //thegirlgirl.blogspot.com/2007/09/womens-pubic-hair-determines.html イタリア語のサイト ｈｔｔｐ //claudiocaprara.ilcannocchiale.it/2004/09/01/peli_e_personalita.html(*2) 英語サイト ｈｔｔｐ //www.advrider.com/forums/showthread.php?t=50766(*3) http //www.buzzlife.com/forums/showthread.php?p=2516697#post2516697 http //masalatalk.com/masalaboard/showthread.php?t=207663 http //masalatalk.com/masalaboard/showthread.php?t=87765 http //pervscan.com/2004/09/09/professor-splits-hairs-over-pubic-profiles/ http //sgforums.com/forums/2427/topics/205848 http //www.upstandingfuckingcitizens.com/showthread.php?t=12581 http //www.weirdspot.com/index.php/weblog/womens_pubic_hair_determines_personality/ http //www.zgeek.com/forum/showthread.php?t=21573 関連ページ Blogger：その他 WaiWaiの記事を転載した英語サイト：A WaiWaiの記事を転載した英語サイト：B WaiWaiの記事を転載した英語サイト：M WaiWaiの記事を転載した英語サイト：P WaiWaiの記事を転載した英語サイト：S WaiWaiの記事を転載した英語サイト：U WaiWaiの記事を転載した英語サイト：W WaiWaiの記事を転載した英語サイト：Z 毎日新聞英語版から配信された記事2004年 記事が及ぼした影響
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【登録タグ G Liz Triangle lily-an インモータル フィロソフィー ネクロファンタジア 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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【Tags Miku Ojou-P Sakanoue tC K】 Original Music title 神騙りの愚者への断罪と懲罰 ) English music title Conviction and Punishment for Fools Who Pretend to be God Romaji music title Kami Katari no Gusha eno Danzai to Choubatsu Lyrics written by サカノウエ (Sakanoue) Music written by お嬢P (Ojou-P) Music arranged by お嬢P (Ojou-P) Singer(s) 初音ミク (Hatsune Miku) Click here for the original Japanese Lyrics English Lyrics (translated by motokokusanagi2009)： Under the name of conviction People possessed by a stupid God Wield a sword Listen to the solemn voice is what they say With bloodshot eyes They hand down false glory Punishment for crimes Purge your sins Glorify our names in your afterlife Do not forget God provides for him that believes The one who stabbed the chest is the Apostle of the tacitness The degenerate world of blind believers is a chaotic party In the inferno sky the borderline blurs Under their own justice, they again start fighting each other Under the name of purge People who sneer at profanities Wield clout Once you yearn for tranquil days You ll be confined to a prison And they try to brainwash you Wash away blood by blood With the bloody finger Engrave the names on the grave marker of Hell Who can forget? These hands started the war The screams of exclusion pierces ears The crowd stands up for infinite horrors Once they re off guard, they re isolated How can we finish it all just by sacrificing? Revenge of the dead entwine the feet At the end of cause and effect Nothing remains To the back of obsession, I declare we ve awakened We won t be caught up by the existence that deceives around the world As long as I m alive, I ll keep fighting it off Even if I m pushed to crucifixion as the unprecedented Satan What I believe in remains in my heart If I m to die because I keep the faith, I d be grateful to be killed Romaji lyrics (transliterated by motokokusanagi2009)： shukusei dato ken o furuu wa oroka na kami ni mii rareta hitobito sōgon naru koe o kike yo to chibashiru manako de katari tsugu eikō tsumi niwa batsu o kegare o misogi shigoku no goshō ni waga na o tatae yo wasureru nakare shinzu reba sukuware n mune o tsuki sasu anmoku no shito mōshin shi mono no dakuse wa kyōen moe tatsu sora ni nijimu kyōkai sen ono ga seigi kakage tewa futatabi ubai atte iku shukusei dato ken o furuu wa bōtoku no tami to azawarau hitobito heion naru hibi o nozo meba rō eto tsunagare tatami komu sen nō chi o chi de arai shitataru yubi de jigoku no bohyō ni sono na o kizamō wasureru mono ka arasoi wa sono te kara mimi o tsunzaku haita no sakebi funki seshi mure to amata no senritsu suki o mise reba mō hitori kiri ikenie o sasage tatemarsuri subete o oeru to iu noka ashi ni karamaru mōja no ikon inga no hate niwa nani hitotsu nokora nu mōshū no se ni keisei to tsugu seze o rōsu sonzai ni tora ware te naru monoka to seimei no kagiri aragai tsuzuke kidai no akuma to takkei ni sare domo shinzuru mono wa kono mune ni ari onore jishin tsuranui te iki tae te ikeru no naraba sore de ī [Sakanoue, Ojou-P, OjouP]